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Johann Friedrich Wilhelm Jerusalem's Betrachtungen über die vornehmsten Wahrheiten der Religion was a bestseller of the German Enlightenment, although it is a theological book. In this article, his Betrachtungen is treated as a text that tries to synthesize the newly established philosophy of history with more or less traditional theological patterns. Jerusalem uses the argument of universal development and progress in history to demonstrate the evidence of divine providence. His book thus resembles Gotthold Ephraim Lessing's Erziehung des Menschengeschlechts, which it may have influenced. The main purpose of Jerusalem is to calm and pacify the individual's soul. He wants to prove that the individual's life fits into the general order of history, which is also the purpose of ‘profane’ philosophy of history in German Enlightenment. Jerusalem's neological philosophy of history provides new answers to the problem of evil after the decline of a metaphysical theodicy in the tradition of Leibniz.
ZfSl 54 (2009) 2, 224-240 Ulrike Jekutsch Zur Schau gestellte Fiktion: Die Erfindung polnischer Frühgeschichte in Słowackis Tragödien „Balladyna“ und „Lilla Weneda“SummaryJuliusz Słowacki’s tragedies “Balladyna” (1834, publ. 1839) and “Lilla Weneda” (1840) are set in legendary pre-historical times. Reflecting the Polish nation-building process, they outline invented episodes und char-acters in the beginnings of the first Polish state. With these plays, Słowacki wanted to give his people poeti-cally created legends, which would enrich their scanty stock of stories from pre-historical times and fill out the gaps in their national historical knowledge. Słowacki’s foreword to “Balladyna” serves as an introduc-tion to a projected cycle of plays about Polish pre-history. Here, the playwright openly exposes the fictional-ity of both characters and plot, and he draws attention to the many historical inconsistencies and anachro-nisms in the text. At the same time, he claims that the intrinsic truth of poetry ranks higher than mere factual accuracy, and that his plays, despite their historical inaccuracy, may become Polish-pre-history. His inven-tion of new episodes of Polish pre-history is aimed polemically against contemporary historiography – espe-cially against two issues, i. e. first, romantic historiography’s pretension to play the role of universal art (Universalwissenschaft), and secondly, the traditional Polish idealization of known figures of pre-history. The article discusses these two aspects of Słowacki’s plays, focussing on his polemics against contemporary Polish historiography and especially against Joachim Lelewel.
Abstract:
Among Jewish scholars, Leo Baeck was the first to refer (in 1938) to the Gospels in general as “a Jewish book among Jewish books.” This statement has some plausibility for Matthew or Mark. But could it also be true for Luke, long regarded as the hero of “Gentile Christian” theology? This paper explores this question beginning first with some problems mainly concerning terminology: Does Luke have “anti-Jewish” tendencies (as postulated by many scholars)? Of what relevance is the “parting of the ways” paradigm in recent discussion? And finally, what bearing does Christology have on the “Jewishness” of the Lukan text? A second section explores motifs common to Luke and the Jewish literature of his time, such as the form of biographical narration, the validity and function of the Torah, religious institutions and geographical constellations. The final portion of the paper attempts to locate Luke anew in his world. I argue in particular that there are good reasons to see him as a diaspora Jew present somewhere in Greece, whose Jewish tradition is inherited, but whose Hellenistic education is acquired. His writing thus reflects a form of religious literature much more complex and nuanced than simple labels can attest.