Refine
Year of publication
- 2019 (9) (remove)
Document Type
- Article (9)
Has Fulltext
- yes (9)
Is part of the Bibliography
- no (9)
Keywords
- - (9)
- Friedrich Nietzsche (2)
- German (2)
- Spanish (2)
- Umberto Eco (2)
- anti-realism (2)
- borrowing (2)
- calques (2)
- contact linguistics (2)
- death (2)
- horizon (2)
- interpretation (2)
- lexis (2)
- negative realism (2)
- power (2)
- realism (2)
- reality (2)
Institute
Publisher
- De Gruyter (9) (remove)
Vielfältig lässt sich die Bedeutung von Vorstrafen zeigen; jenseits ihrer gesellschaftlichen Wirkungen beschäftigen sie Straf-, Arbeits- und Zivilgerichte. Dieser Beitrag untersucht, welche Implikationen die Registrierung einer Verurteilung hat. Dabei soll aus strafrechtlicher wie auch aus grundrechtlicher Perspektive belegt werden, dass der Staat als Autor der Verurteilung alle ihre Folgen bedenken und bestimmten Konsequenzen gegebenenfalls entgegenwirken muss. Zur Einstimmung sollen fünf Fallskizzen Schlaglichter auf den Problemkreis werfen:
Kriminalgeschichten aus dem europäischen Norden, die unter dem Label Nordic Noir laufen, haben nun schon seit geraumer Zeit Hochkonjunktur, sei es in
visueller oder gedruckter Form. Somit widmete sich das Literaturwissenschaftliche Kolloquium des Nordischen Klangs im vergangenen Jahr auch einmal diesem Thema, und zwar aus einer überwiegend flmanalytischen Perspektive und
mit Fokus auf bekannte Fernsehserien aus Skandinavien und Island. Das Motto des Kolloquiums lautete jedoch nicht einfach „Nordic Noir“, sondern „Nordic
Schwarz/Weiß“. Warum diese spezielle Teilformulierung? Um diese zu erläutern,
muss ich zunächst beim Ausgangsbegrif ansetzen:
AbstractThis paper takes concepts from spatial theory and globalization discourse and uses them in order to analyze the narrative function of descriptions of nature in romantic Icelandic poetry from the beginning of the 19th century and an Icelandic TV-Series from 2015. In Iceland’s romantic poetry of the early 19th century, especially in poems written by Bjarni Thorarensen, sublime nature is described as a form of guardian against foreign influences that threaten the way of living on the peripheral island. This romantic concept of Icelandic nature is closely connected to narrative patterns in the process of the Icelandic Nation-Building, as it characterizes Icelanders as simultaneously defined and protected by the harsh conditions on the island. The paper takes a comparative look at the underlying narrative concepts of nature in two of Bjarni Thorarensen’s poems and a recent Icelandic TV series, Baltasar Kormákur’s Ófærð (2015), that presents a different concept of Icelandic nature in its relation to a (threatening) global influence. The series depicts a globalized world in which crime does not only affect remote communities as an evil from the outside but as a local evil connected to forces on global scale. Nature as a narrative device in the TV series thus does not protect Icelanders from global forces, as it did in Bjarni Thorarensens poems in the early 19th century, but instead functions a catalyst that reveals the evil from the outside and the evil from within.
Abstract
This article compares the use of calques modelled on anglicisms in different European languages, especially Spanish and German, which do not only show structural differences (e.g. with regard to the use of noun-noun compounds, which are more common in German) but also reflect different attitudes towards English. Aspects covered range from the factors generally favouring the coinage of such replacive forms, to the reasons for the emergence of different types of calques, to variations in their use and challenges concerning their identification. To unravel the main patterns and trends in calquing, this study includes numerous examples from written and oral language, i.e. items of different register affiliation, age, length, and semantic transparency. On a theoretical level, the article incorporates findings from the fields of lexicology, contact linguistics and sociolinguistics.
Abstract
This article compares the use of calques modelled on anglicisms in different European languages, especially Spanish and German, which do not only show structural differences (e.g. with regard to the use of noun-noun compounds, which are more common in German) but also reflect different attitudes towards English. Aspects covered range from the factors generally favouring the coinage of such replacive forms, to the reasons for the emergence of different types of calques, to variations in their use and challenges concerning their identification. To unravel the main patterns and trends in calquing, this study includes numerous examples from written and oral language, i.e. items of different register affiliation, age, length, and semantic transparency. On a theoretical level, the article incorporates findings from the fields of lexicology, contact linguistics and sociolinguistics.
Die Macht der Interpretation
(2019)
Abstract
The article treats the problem of interpretation in its respect to reality by example of Umberto Eco’s moderate ‚realistic‘ position and his criticism of Friedrich Nietzsche, the “father” of postmodernism. Here the strongest arguments on both sides are evaluated: Eco’s “negative realism” pointing out the impossibility of some interpretations and Nietzsche’s thinking out the absolute absence of a privileged position proceeding from which it would be possible to unequivocally identify what is real. The article argues that the crucial point why some interpretations may prove to be stronger or weaker is best described in terms of the concept of power. One however should avoid misconceptions, since power itself is interpretation which nevertheless allows for the gradation of reality, the mobility of its horizons, their shifting and even their potential availability. A much-disputed question of prehistoric times as well as that of death as a limit of interpretability is inter alia included in the analysis. Both classical anti-realistic positions, such as that of Wittgenstein, and the argumentation of contemporary advocates of realism, such as Quentin Meillassoux, are taken into consideration.
Die Macht der Interpretation
(2019)
Abstract
The article treats the problem of interpretation in its respect to reality by example of Umberto Eco’s moderate ‚realistic‘ position and his criticism of Friedrich Nietzsche, the “father” of postmodernism. Here the strongest arguments on both sides are evaluated: Eco’s “negative realism” pointing out the impossibility of some interpretations and Nietzsche’s thinking out the absolute absence of a privileged position proceeding from which it would be possible to unequivocally identify what is real. The article argues that the crucial point why some interpretations may prove to be stronger or weaker is best described in terms of the concept of power. One however should avoid misconceptions, since power itself is interpretation which nevertheless allows for the gradation of reality, the mobility of its horizons, their shifting and even their potential availability. A much-disputed question of prehistoric times as well as that of death as a limit of interpretability is inter alia included in the analysis. Both classical anti-realistic positions, such as that of Wittgenstein, and the argumentation of contemporary advocates of realism, such as Quentin Meillassoux, are taken into consideration.